Sunday, March 29, 2015

Lisette Top




Pattern: Lisette Butterick 6183
Fabric: some sort of cotton/poly blend (that may or may not be home dec?),
 plus cotton voile to underline
Notions: metal zipper



When I first saw that the Lisette line had switched to Butterick, I'll admit, I groaned a little inwardly.  I hadn't had much luck previously with Butterick patterns, and I was sad to see Lisette go the dark side that way.  However, I really like Liesl's esthetic, and I've never known her to make a stinker pattern. So when they went on sale, I went and snapped them all up.  This is the first one I've made, but I'm almost finished with the pants, and I'm going to be honest.  This is some good stuff.

The top has a boxy fit, but if you can picture a fitted boxy top, this is that.  The princess seams across the bust allow for shaping, but it's still a pull over your head top.  Also, the pattern includes separate pieces for different cup sizes, but hey, that doesn't really affect me.

For fitting adjustments, I did two things:
1.  I enlarged the sleeve by an inch overall.
2.  I barely turned a hem, and used bias tape instead.

Um, this is a cropped fitted boxy top.



A.  Clearly, I should stand straight.

B. This fabric collects every stray string, hair, fuzz ball, and small child with sticky fingers.

C.  I had just worn this shirt rollerskating before pictures.  Those are roller skating wrinkles.


The pattern calls for a metal zipper, and to be honest, metal zippers aren't that easy to come by here unless you order and wait for them to arrive.  This is a vintage metal zipper that I shortened with pliers (the pattern includes instructions on doing that), and since my zipper had painted teeth, a quick swipe with nail polish remover on a Q-tip took care of that.

I think this will look best with some higher-waisted bottoms, but overall, 
I'm pretty happy with the way it turned out.  

Monday, March 23, 2015

The 'Out the Door in 10 Minutes or Less' Dress

There is a lot to be said for quick outfits. 

Especially if you accidently hit the snooze button one too many times.

And drop kids off at two different places on the way in to work.

And have a meeting starting at "Holy crap I don't think I'm going to make it" o'clock.


And heaven forbid you realize the gas light is a hair's breadth away from dinging.



Some mornings are like that, and that's why God invented knit dresses.

Pattern: Simplicity 2054
Fabric: ponte knit from Mood (this one, which is sold out, I guess) 


I've made this pattern once before, but this time I added welt pockets to the front.

Secret, stealth pockets.


Can you see them if you squint?


Yep.  
I'm not even going to say how long it took to figure out
 how to line those welts up to match exactly.  

(This is the person who requires a 10 minute outfit.)

I used Poppykettle's tutorial, and folded the pocket bag back up to the top of the facing,
creating a little floating pocket bag.


Basting in place...


Evidence that I require notes to myself.


I'm totally happy with the pockets, and truthfully, have since been inspired to add single welt pockets to everything. Well, almost everything.  

They're not crazy large pockets; just big enough for a pen or marker, or a tube of lipstick that you forget about until you discover the remaining evidence all over the dryer and a load of clean jeans.

Hallelujah for Spray and Wash.


The back view could probably use a little more adjustment, but it works, and I'm not too stressed about it.  Eh, next time.

Notes: 
Since my last version, I shortened the sleeves to 3/4 length, narrowed the sleeves at the wrists, took in the side seams at the waist, and took in extra on the back piece only.  This ponte isn't quite as stretchy as the green stuff, and to be honest, I like it better.


And, it works perfectly for those last-minute mornings.

Sunday, February 22, 2015

Hulk Arms, meet Ms. MoneyPenny


Pattern: Sewaholic Oakridge
Fabric: cotton/rayon blend from Georgeous Fabrics
Notions: pro-weft supreme light interfacing, 7 buttons, time + patience

3 muslins later, I have come to the realization I have hulk arms.  
To be fair, I always have problems with woven shirts.  They always feel tight across my arms and shoulders, and although they look nice when my arms are loose, the truth is, I need my arms in day-to-day life.  I write on chalkboards, (well, whiteboards), I carry loads of laundry, I dig things out of ridiculously awkward places, I hug my family, I cook dinner, and sometimes I dance (badly).

Well, one of us is looking at the camera...

Last year I struggled with getting the Alma pattern to fit, and I might be ready to go back to it. 
 Here's what I did on this one:

1.  raised bust dart 1/2 inch.  
Easy peasy.  I may have been able to raise it up even further, but I went conserative there.

2.  graded from a 10 at the bust AND waist, to an 8 at the hips.  
I originally tried an 8 at the waist, too, but the curve was a little too steep, and it looked nicer and slightly more relaxed with a 10 at the waist.

3.  I raised the sleeve cap heighth by 5/8".  
Can I tell you that there are a million and two tutorials on eliminating sleeve cap ease, but try googling "adding sleeve cap ease."  
Crickets. 
 How did I know I needed this? Well, it was tight, so I unpicked the top of the basted sleeve caps, and let it gape.  There was about 5/8" gap between the seam lines.

Once I got the sleeve cap height sorted, muslin 1.5 (same bodice, new sleeves) was MUCH better.  Except, well, sleeves were slightly tight across the biceps.  I could stand demurely, but there was no muscle flexing happening.  You know, as you do.  So....

4.  Added 1/2" strong arm adjustment.
Doesn't that sound better than a big bicep adjusment? 
For muslin 2, I incorporated bodice changes, kept the higher sleeve cap, and spread the bicep about 1/2".  Much better, but it could be a tad more comfortable.  So, for my final version...

5. I ended up extending the biceps another 1/2".  
Which honestly, may be a touch too much, but you can't knock being able to move your arms in all directions.  You never know when Miss Moneypenny will need to tangle with secret spies.

6.  I did not in any way, shape or form lengthen the sleeves.
Scroll back up to the top there to peek; they fit me great, but I typically lengthen sleeves.

So, fitting drama (not really) sorted, I only have one actually complaint about this pattern.


The bow.

Sigh.

Now, I love me some Sewaholic Patterns.  
They go together nicely, and the directions are clear and concise.
However, maybe the issue here was me, and maybe the issue was sewing late at night, but I re-read those bow instructions about 97 times.  I even made the bow (half-assedly) on two different muslins.
In the end, I still don't know that I did it right.

But the only other way I could imagine didn't seem right, either.  

The directions for version C has you attach bias and finish the neckline before adding the button placket.  Then add the placket, fold right sides together and stitch across the top.  Turn right side out, and finish the back.  Makes sense on view C, but on the bow version, um, the neckline isn't finished.  But whatevs, I clipped into the seam allowance so I could do that, and attach the tie.  


Okay, so fold the tie right sides together, sew edges, turn right side out and...
handstitch the entire inside of the collar?  

I don't know that it would've been any easier to attach the tie before the placket, either.  
I may play around with attaching the tie like a band, then using bias to cover the raw edge next time.  Or, I may wait until someone posts the correct way to do this? 


Here's what I did.  Go look at that illustration again.


And tied.

If you're in the know, or have a better idea, whisper to me in the comments, please.

Sunday, January 4, 2015

Sugarplum Fairies

If there ever was a fabric that reminded me of Sugarplum Fairies, it's this one.
It's got pink, it's got flowers, it seems Russian with the intricate design in bright colors on a dark background.  
Or maybe it's just that it's reeeallly cold out.



Details: 
Pattern: Burda 6984
Notions: one 3/8" button, Fraycheck
Temperature outside: 6 degrees F (-14 C)

Notes:
Oh, Burda.  You are just like that cute boy in school that you think is really cute, but who is just so obtuse, that you never really know if they like you back.  Or maybe that they LIKE you, they just don't LIKE-LIKE you.  You live in bewildered yes/no/idunno for a couple of weeks before ultimately deciding it's just not worth it, and you move on to liking someone easier.  


This pattern is for the most part, pretty straightforward...I don't know why they never give button sizes on the envelope, though.  Granted, it's not hard to hold a button up there to look and see if it will work, but if you're sifting through a random button tub, a little guidance would be appreciated.  A sign, or something, guy? For what it's worth, the binding at the neckline is 3/8" wide; I used a 3/8" button.  


1/4" button would work, too

The neckline is what drew me to the pattern, honestly.  I did squint and see that the neckline pleats go over the top of the drawing, but totally did not get from the 2"-high technical line drawing that the neckline pleats have an exposed raw edge at the neckline.  Huh.  That part of the instructions is on page 3, by the way.  The neckline is bound, but the binding weaves under the pleats.  I played their game with the binding, but decided in the end to fold my extra seam allowance over the top of the binding to tuck the raw edge inside.  

Fray-checked that edge...

You know why I had so much seam allowance to do that?  The printed patterns kindly include 5/8" seam allowances everywhere, but at the neckline and sleeves, you're instructed to cut them off.  Huh. 

Ooookaaay.

I did.  And it was fine.  But way to be all-or-nothing, there, Burda.

Anyway, it was fun while it lasted.  


I think.
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